May 18, 2022
This weekend’s EPIC FINALE concert was a fitting exclamation point on the season, as audiences got to hear Viet Cuong’s Next Week’s Trees (live and in-person, not on a screen!), Nathan Chan’s beautiful rendition of Elgar’s Cello Concerto, and Tchaikovsky’s triumphant Symphony No. 5.
April 21, 2022
Viet Cuong (b. 1990) Next Week’s Trees (2021) “Light is an invitation to happiness,” wrote beloved poet Mary Oliver in “Poppies”. We could all use such an invitation about now. We’ve been through a period of darkness, of present dread and future fear, a time of foreboding and separation. But such things don’t last. The
May 6, 2021
Wonderful… Soul-refreshing…”—Kathryn Juneau, Viola This article was first published in May, 2021 When 30 California Symphony musicians came together last month to record the Poetry in Motion season finale series, it was the largest gathering of California Symphony musicians in one place since the February 2020 BRAHMS FEST concerts. We asked how it felt to
May 3, 2021
It’s been hailed as “a model for residency programs across the country” (Mercury News), and former resident composer Dan Visconti calls it simply the best residency program in the country. California Symphony’s groundbreaking Young American Composer-in-Residence program turns 30 this year, helping to launch the careers of ten composers to date. We checked in with
October 2, 2020
American violinist Robyn Bollinger made her Philadelphia Orchestra debut at age twelve. She came to national attention on the radio through her 2014 residency on PRI’s “Performance Today” and several appearances on NPR’s “From the Top.” In 2016, she was a recipient of a prestigious Fellowship from the Annenberg Arts Fellowship Fund. We talked with Bollinger,
February 20, 2020
By California Symphony Music Director Donato Cabrera. I suppose I could wax philosophically, in maestro-like fashion, and list all of the incredible opportunities our Young-American-Composer-in-Residence residency affords our chosen composer over the three years that they are with us. And while I believe all of these opportunities to be true and worthwhile, I’ll leave other
February 19, 2020
The New York Times has called his music “alluring” and “wildly inventive” and his compositions have already been featured in concerts at Carnegie Hall and the Lincoln Center. We sit down with our newest Composer-in-Residence Viet Cuong to talk marching band, his compositional style, and connections to former Young American Composers-in-Residence Chris Theofanidis, Kevin Puts,
May 2, 2019
It’s been called “a model for residency programs across the country” (Mercury News). Not all orchestras around the country have resident composer programs, and among those that exist, the California Symphony’s Young American Composer-in-Residence program is different in three key ways, says California Symphony Executive Director Lisa Dell. 1. Real relationships take time Several
April 23, 2019
The fifth and final concert set of the 2018/19 season takes place on 5/5, Cinco de Mayo. Here’s our countdown of the top five things that make season finale concert EPIC BRUCKNER an epically wonderful way to celebrate the day. 5. Finale Fiesta For Cinco de Mayo, we’re bringing some Latin flavor to the Lesher
April 23, 2019
California Symphony Composer-in-Residence Katherine Balch composed Artifacts for New England Conservatory friend and colleague Robyn Bollinger, based on four pieces that are core to solo violin repertoire. Each movement in Artifacts takes its inspiration from diverse works composed between the early 1800s and 1976. By Donato Cabrera, California Symphony Music Director “Robyn and I have