November 5, 2019
Relocating from Chicago to California, incoming Executive Director Lisa Dell is an arts champion with a wealth of music experience and a passion to grow the reputation of the California Symphony as a leader in its space. Can you tell us a bit about yourself? I grew up in a creative household, largely due to
October 28, 2019
Haydn was the vastly accomplished composer of the era. 24 years younger, Mozart’s reputation was on the rise. Both were prolific, both admired each other’s work, and a close friendship soon ensued in 1780s Vienna. If only I could impress Mozart’s inimitable works on the soul of every friend of music, and the souls of
September 30, 2019
You’re the reason we play | learn | celebrate | connect Dear Friend, At the California Symphony, we believe in the power of music to unite and uplift—to make us feel like we’re a part of something bigger, and to connect to our wider community—and we’re so honored to partner with you in this endeavor.
May 2, 2019
It’s been called “a model for residency programs across the country” (Mercury News). Not all orchestras around the country have resident composer programs, and among those that exist, the California Symphony’s Young American Composer-in-Residence program is different in three key ways, says California Symphony Director of Operations & Education Sunshine Deffner. By Sunshine Deffner, Director
April 23, 2019
California Symphony Composer-in-Residence Katherine Balch composed Artifacts for New England Conservatory friend and colleague Robyn Bollinger, based on four pieces that are core to solo violin repertoire. Each movement in Artifacts takes its inspiration from diverse works composed between the early 1800s and 1976. By Donato Cabrera, California Symphony Music Director “Robyn and I have
April 23, 2019
The fifth and final concert set of the 2018/19 season takes place on 5/5, Cinco de Mayo. Here’s our countdown of the top five things that make season finale concert EPIC BRUCKNER an epically wonderful way to celebrate the day. 5. Finale Fiesta For Cinco de Mayo, we’re bringing some Latin flavor to the Lesher
April 14, 2019
California Symphony percussionist Victor Avdienko has one thing to do in Bruckner’s Symphony No. 7 and that is to play a lone, epic cymbal crash. For him though, it’s much more than just a single note. By Victor Avdienko, California Symphony percussionist. I played this piece before with Herbert Blomstedt [San Francisco Symphony Music Director
April 13, 2019
Bruckner’s Symphony No. 7 is an impressive, expansive, melodic work that requires a supersized orchestra, and for many members of the orchestra it’s a real work out. If you’re a percussionist however, your entire part for this epic masterwork fits neatly onto a single page of music. The percussionists’ sheet music (pictured) indicates that
July 2, 2019
Summer adult education class Fresh Look: The Symphony Exposed takes place at Walnut Creek Library starting July 9. Instructor Scott Foglesong (Chair of Musicianship and Music Theory at the San Francisco Conservatory of Music) leads the class. First stop in Fresh Look is an introduction to the orchestra. In this class you’ll meet the key players and