The Music Plays On — Joseph Bologne, Chevalier de Saint-Georges
January 19, 2023
Joseph Bologne was born in 1745 on the Caribbean island and French department, Guadeloupe.
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Meet CHOPIN IN PARIS Soloist Maria Radutu
January 5, 2023
Austrian-Romanian pianist Maria Radutu, soloist in February’s CHOPIN IN PARIS concerts, talks about moving from Romania to Vienna at age 14, and plotting a similar path to artistic freedom in later life. (And plot twist: A snoring dog disrupts an important performance.) Can you tell us a little about yourself? I was born in Bucharest, Romania, and
2022 + You: A Year in Review
December 29, 2022
Ten concerts, including two world premieres… Ten years of Sound Minds music education classes, uplifting students in a local East Bay community… The launch of Music Director Donato Cabrera’s tenth anniversary season… Thank you for spending this memorable year with the California Symphony! Thank you for so much for joining us in 2022. We can’t
Mozart Movie Myths
December 4, 2022
Mozart’s true life story needs no Hollywood-style embellishments, says Music Director Donato Cabrera. Tom Hulce as Wolgang Amadeus Mozart in the 1984 hit movie “Amadeus”. By California Symphony Music Director Donato Cabrera. A murderously jealous rival. A mysterious commission from a “gray messenger.” Rumors of poisoning… If the circumstances of Mozart’s death at 35 read like
Meet ALL THINGS STRINGS Soloist Elizabeth Dorman
October 19, 2022
Elizabeth Dorman on her musical beginnings, fostering cats, and performing while pregnant. Where did you grow up and where do you live now? I grew up in the heart of San Francisco at Castro and 15th and where my mom Anne still lives. I spent 8 years living in various places around New York City
Meet the Fab Four
October 19, 2022
PRINCIPALS JENNIFER CHO (CONCERTMASTER), PHILIP SANTOS (VIOLIN), MARCEL GEMPERLI (VIOLA) AND LEIGHTON FONG (CELLO) TAKE PROMINENT ROLES IN ELGAR’S INTRODUCTION AND ALLEGRO, A WORK THAT HARKS BACK TO THE CONCERTO GROSSO* FORMAT OF THE BAROQUE ERA. WE CAUGHT UP WITH THIS AWESOME FOURSOME AS THEY PREPARE FOR A PROGRAM THAT CELEBRATES THE MELODIC HEART AND SOUL OF THE
Donato Cabrera’s Ten Seasons of Joyful Learning
October 5, 2022
The 2022/23 season celebrates a number of milestones, including Music Director Donato Cabrera’s tenth season with the California Symphony. He sat down with us to share his reflections on the journey so far. Congrats on your tenth season with California Symphony! We should have got you a cake or something but all we’ve prepared are these
Meet the Musician: Assistant Concertmaster Sam Weiser
October 5, 2022
In June of this year, Sam Weiser was one of 24 violinists auditioning for a spot with the orchestra. Fast forward three months and after winning the Assistant Concertmaster position, Sam found himself fast-tracked for the top job for season opener INTERSECTIONS, as Concertmaster Jennifer Cho sat it out due to a scheduling conflict. We
Program Notes — ALL THINGS STRINGS
October 5, 2022
Edward Elgar (1857–1934) Introduction and Allegro, Op. 47 (1905) Had Edward Elgar not been a musician, he just might have been a scientist or an inventor. Fascinated by technology, he was a keen amateur chemist who even patented a method to produce hydrogen sulfide. Thus it’s not surprising that he was an enthusiastic advocate of
Meet Sam Weiser, Assistant Concertmaster
August 24, 2022
In June of this year, Sam Weiser was one of 24 violinists auditioning for a spot with the orchestra. Fast forward three months and after winning the Assistant Concertmaster position, Sam finds himself fast-tracked for the top job for season opener INTERSECTIONS, as Concertmaster Jennifer Cho sits it out due to a scheduling conflict. We
Program Notes — INTERSECTIONS
August 10, 2022
Zoltan Kodály (1882–1967) Dances of Galánta (1933) If Zoltan Kodály ever resented his chronic second-banana status to friend and colleague Béla Bartók, he never let on. But it must have rankled. Bartók biographies invariably describe how, in his salad days, he traipsed through the backwaters of Eastern Europe, Edison cylinder recorder in tow, in search
Meet 2022/23 Season Opener Soloist Inbal Segev
August 9, 2022
Inbal Segev on YouTube Musings, Adding Virtuosity, and an Unexpected Connection to Resident Composer Viet Cuong. We last saw you in Walnut Creek in May 2017, in the days before this blog existed. Can you tell us a bit about yourself? I am very much looking forward to returning to play with the California Symphony!
Behind the Scenes at EPIC FINALE
May 18, 2022
This weekend’s EPIC FINALE concert was a fitting exclamation point on the season, as audiences got to hear Viet Cuong’s Next Week’s Trees (live and in-person, not on a screen!), Nathan Chan’s beautiful rendition of Elgar’s Cello Concerto, and Tchaikovsky’s triumphant Symphony No. 5.
Hornist Meredith Brown on Changing Priorities
April 29, 2022
Principal horn Meredith Brown reflects on the return to live performances, stepping off the hamster wheel, and finding renewed purpose. Way back in 2020, while we were all reeling and horrified by suddenly being plunged into a pandemic, a part of me was learning about life. It turns out that even when you “do what
Program Notes — EPIC FINALE
April 21, 2022
Viet Cuong (b. 1990) Next Week’s Trees (2021) “Light is an invitation to happiness,” wrote beloved poet Mary Oliver in “Poppies”. We could all use such an invitation about now. We’ve been through a period of darkness, of present dread and future fear, a time of foreboding and separation. But such things don’t last. The
Behind the Scenes at FRENCH IMPRESSIONS
March 30, 2022
From a foreign national anthem, to a groundbreaking world premiere that was immediately heralded by critics as “a masterpiece,” and unusual intermission on Sunday afternoon, this weekend’s concerts were almost as drama-filled as the Oscars. #WeStandWithUkraine Both concerts this weekend opened with a rendition of the Ukrainian national anthem, in solidarity with the people of
Dark Tales and Happy Endings
March 21, 2022
Everyone loves a good fairy tale, featuring dashing heroes and heroines, evil villains, and imperiled protagonists, navigating their way towards a hoped-for happy ending. Shared from one generation to the next, these cautionary tales occupy a special place in popular culture and they have inspired some of the most appealing and memorable music ever written.
Balch on “Illuminate”—A Song Cycle for Three Voices and Orchestra
February 24, 2022
Katherine Balch connects texts to celebrate women in Illuminate, the final commission and world premiere of her three-year tenure as California Symphony Young American Composer-in-Residence. By Katherine Balch This article was originally posted in February 2020. This summer, I had a few days in between projects to do some hiking in Swiss Alps. During these few
Program Notes — FRENCH IMPRESSIONS
February 15, 2022
Thomas Adès (b. 1971) Three Studies from Couperin (2006) Thomas Adès loathed ‘sports days’—i.e., gym class—in school. (It’s a rare musician who can’t relate to that.) “I’d invent phantom tummy aches and stay at home and listen to records,” he recalls. Those records, collected by his poet/translator father, ranged from folk music to Stravinsky, and
Behind the Scenes at TAKE FLIGHT
February 1, 2022
Against a background of programming modifications and cancellations by other Bay Area performing arts orgs, California Symphony staff and musicians worked together to give wings to January concerts, TAKE FLIGHT. When All Negatives Add Up to a Positive Over four days of rehearsals and performances and after many dozens of COVID tests, musicians, staff, and
Neither English, Nor a Horn
December 23, 2021
The “English horn” becomes the voice of the swan in Sibelius’ haunting tone poem Swan of Tuonela, in one of the best-known solos in the repertoire for the instrument. California Symphony’s James Moore tells us more about this enigmatically-named cousin of the oboe.
Program Notes — TAKE FLIGHT
December 21, 2021
Ralph Vaughan Williams (1872–1958) The Lark Ascending (1914/1921) Nostalgic longing permeates The Lark Ascending. Not a cozy nostalgia that looks back to a rose-tinted past, but rather a spiritual fervor for an idyllic paradise, expressed as the song of a soaring skylark and, on the earth below, human life—a poignant metaphor for our collective yearning
Behind the Scenes at FOUR SEASONS
November 9, 2021
By California Symphony staff—Tuesday, November 9, 2021 You had so many great questions and comments! Here are a few things you may—or may not—have noticed as everything came together for FOUR SEASONS, the second concert set of the 2021-22 live and in-person California Symphony season. Your number one question was… What’s the thing that soloist
Four Seasons Signature Cocktail: Apple Cinnamon Sangria
November 5, 2021
By popular request, California Symphony concert signature cocktails are back! Adding a taste of autumn to your FOUR SEASONS concert this weekend, Apple Cinnamon Sangria will be available at lobby bars inside the Lesher Center. (Price: $12) Here’s what’s inside this seasonal sipper: Diced apples & pears Red wine Cinnamon liquor A hint of spiced rum Apple
Alexi Kenney’s Favorite Bay Area Eats, Tattoos, and Conducting While Playing
November 5, 2021
Soloist Alexi Kenney gives us the low down on playing the role of conductor in the first half of the upcoming FOUR SEASONS concerts, his Bay Area roots (and favorite eats), and the story behind his new body art. Your last performance in person with the California Symphony was for the Bruch Violin Concerto No.
On Order, Balance, and Stepping Off the Podium
October 28, 2021
—By Music Director Donato Cabrera The music of the Baroque is the music of the Age of Reason and The Enlightenment. It is ordered in that the instruments used are essentially always stringed instruments with occasional winds thrown in. It is balanced in that the soloists aren’t any more prominent or important than the group,
The Four Seasons Sonnets
October 27, 2021
Anonymous (18th century) Italian English La Primavera Spring AllegroGiunt’ è la Primavera e festosettiLa Salutan gl’ Augei con lieto canto,E i fonti allo Spirar de’ ZeffirettiCon dolce mormorio Scorrono intanto:Vengon’ coprendo l’ aer di nero amantoE Lampi, e tuoni ad annuntiarla elettiIndi tacendo questi, gl’ Augelletti;Tornan’ di nuovo al lor canoro incanto: LargoE quindi sul
Harpsichords Rock! 🤘
October 25, 2021
You might be thinking: “A 16th century instrument featured in modern day pop songs? No plucking way.” But it’s true! Here are our top 5 picks of pop songs that feature this unique keyboard instrument. 1. Scarborough Fair—Simon & Garfunkel Parsley, sage, rosemary and… harpsichord? Who remembers this? 2. Monday, Monday—Mamas & the Papas It
Program Notes — FOUR SEASONS
October 19, 2021
George Walker (1922–2018) Lyric for Strings (1946) “One finds something … that provides the genesis to motivate the direction in which you want to go.” That’s George Walker speaking in 1987, encapsulating the wisdom of a career that embodied American music at its most aspirational and accomplished. Lyric for Strings provides an ideal entry point
Harpsichordist Derek Tam Strikes (Plucks?) a Chord
October 19, 2021
FOUR SEASONS harpsichordist Derek Tam explains how playing the harpsichord is different from playing a piano, and similar to being a drummer in a jazz combo. Are you a harpsichord specialist or do you play other keyboard instruments? I’m a keyboard omnivore. I specialize on historical instruments such as the harpsichord and fortepiano (that is,
Shining a Light on Music with Friends
February 21, 2020
Katherine Balch, California Symphony Young American Composer-in-Residence 2017-2020, sits down with Illuminate soloists artists Kelly Guerra and Alexandra Smither to talk about vocal music, their shared history, and their weirdest performance moments. This article was originally posted in February 2020. Kelly Guerra (mezzo-soprano), Molly Netter (soprano), and Alexandra Smither (soprano) are each incredible interpreters of music old
Program Notes — CHOPIN IN PARIS
January 3, 2023
Joseph Bologne, Chevalier de Saint-Georges (1745–1799) Overture to The Anonymous Lover (1780) We possess a fine 1787 portrait of Joseph Bologne in which he embodies the very image of the pre-Revolutionary French gentleman: powdered wig, billowing lace kerchief, richly textured velvet coat, gloves, and an elegant rapier attesting to his fencing skill. But there’s something