May 2, 2019
It’s been called “a model for residency programs across the country” (Mercury News). Not all orchestras around the country have resident composer programs, and among those that exist, the California Symphony’s Young American Composer-in-Residence program is different in three key ways, says California Symphony Director of Operations & Education Sunshine Deffner. By Sunshine Deffner, Director
April 23, 2019
California Symphony Composer-in-Residence Katherine Balch composed Artifacts for New England Conservatory friend and colleague Robyn Bollinger, based on four pieces that are core to solo violin repertoire. Each movement in Artifacts takes its inspiration from diverse works composed between the early 1800s and 1976. By Donato Cabrera, California Symphony Music Director “Robyn and I have
April 23, 2019
The fifth and final concert set of the 2018/19 season takes place on 5/5, Cinco de Mayo. Here’s our countdown of the top five things that make season finale concert EPIC BRUCKNER an epically wonderful way to celebrate the day. 5. Finale Fiesta For Cinco de Mayo, we’re bringing some Latin flavor to the Lesher
April 3, 2019
The California Symphony presents EPIC BRUCKNER at the Lesher Center for the Arts in Walnut Creek on Sunday, May 5 at 4pm, featuring: Balch – Artifacts Bruckner – Symphony No. 7 BALCH – ARTIFACTS We’ll have to wait until May 5 to hear the world premiere of Composer-in-Residence Katherine Balch’s violin concerto, Artifacts, but in
April 3, 2019
Katherine Balch – Artifacts, Concerto for Violin and Orchestra (world premiere) One particularly pleasant corner of the repertory is occupied by works that composers have written for good friends, often with that friend’s input and contributions. The Brahms Violin Concerto comes first to mind: Brahms wrote it for Joseph Joachim, one of Brahms’s earliest boosters
April 2, 2019
American violinist Robyn Bollinger made her Philadelphia Orchestra debut at age twelve. She came to national attention on the radio through her 2014 residency on PRI’s “Performance Today” and several appearances on NPR’s “From the Top.” In 2016, she was a recipient of a prestigious Fellowship from the Annenberg Arts Fellowship Fund. We talked with Bollinger,
November 9, 2018
What do thimbles have to do with Katherine Balch’s next composition for the California Symphony? Read on for an update on the concerto she is writing for violinist Robyn Bollinger that is set to premiere at the 2018–19 season closer. Left: Robyn Bollinger. Right: Katherine Balch with Robyn and thimble. By California Symphony Young American Composer-in-Residence Katherine
October 19, 2018
California Symphony Orchestra: What have you been up to since the premiere of your first piece with the California Symphony in May? Katherine Balch: After an amazing week with the California Symphony, I had a fun time celebrating with the folks at Broadcast Music Inc., at the 66th Annual BMI Student Composer Awards ceremony in NYC, where
April 16, 2018
The 2017–18 season finale features two European masterpieces (“Something Old”), a world premiere (“Something New”), and a program with a difference At first glance, the line up for the California Symphony’s May 6 season closer —SOMETHING OLD, SOMETHING NEW—may look like business as usual. However delve deeper, and there is more to the finale than
April 16, 2018
The California Symphony’s May 6 season finale includes the world premiere of Balch’s “like a broken clock” California Symphony Young American Composer-in-Residence (2017–2020). Photo credit KatieL Photography. We caught up with Composer-in-Residence Katherine Balch to learn more about like a broken clock, the first of three pieces she will deliver during her three-year residency with the