April 29, 2022
Principal horn Meredith Brown reflects on the return to live performances, stepping off the hamster wheel, and finding renewed purpose. Way back in 2020, while we were all reeling and horrified by suddenly being plunged into a pandemic, a part of me was learning about life. It turns out that even when you “do what
April 21, 2022
Viet Cuong (b. 1990) Next Week’s Trees (2021) “Light is an invitation to happiness,” wrote beloved poet Mary Oliver in “Poppies”. We could all use such an invitation about now. We’ve been through a period of darkness, of present dread and future fear, a time of foreboding and separation. But such things don’t last. The
March 30, 2022
From a foreign national anthem, to a groundbreaking world premiere that was immediately heralded by critics as “a masterpiece,” and unusual intermission on Sunday afternoon, this weekend’s concerts were almost as drama-filled as the Oscars. #WeStandWithUkraine Both concerts this weekend opened with a rendition of the Ukrainian national anthem, in solidarity with the people of
March 21, 2022
Everyone loves a good fairy tale, featuring dashing heroes and heroines, evil villains, and imperiled protagonists, navigating their way towards a hoped-for happy ending. Shared from one generation to the next, these cautionary tales occupy a special place in popular culture and they have inspired some of the most appealing and memorable music ever written.
February 24, 2022
Katherine Balch connects texts to celebrate women in Illuminate, the final commission and world premiere of her three-year tenure as California Symphony Young American Composer-in-Residence. By Katherine Balch This article was originally posted in February 2020. This summer, I had a few days in between projects to do some hiking in Swiss Alps. During these few
February 15, 2022
Thomas Adès (b. 1971) Three Studies from Couperin (2006) Thomas Adès loathed ‘sports days’—i.e., gym class—in school. (It’s a rare musician who can’t relate to that.) “I’d invent phantom tummy aches and stay at home and listen to records,” he recalls. Those records, collected by his poet/translator father, ranged from folk music to Stravinsky, and
February 1, 2022
Against a background of programming modifications and cancellations by other Bay Area performing arts orgs, California Symphony staff and musicians worked together to give wings to January concerts, TAKE FLIGHT. When All Negatives Add Up to a Positive Over four days of rehearsals and performances and after many dozens of COVID tests, musicians, staff, and
January 12, 2022
A flight of fancy inspired by the great outdoors, the music on this program evokes soaring larks, clucking hens, a mystical swan, and the wafting sounds of birdsong from the Bohemian countryside. California Symphony presents TAKE FLIGHT at the Lesher Center for the Arts in Walnut Creek on Saturday, Jan. 29 at 7:30pm and Sunday, Jan. 30
December 23, 2021
The “English horn” becomes the voice of the swan in Sibelius’ haunting tone poem Swan of Tuonela, in one of the best-known solos in the repertoire for the instrument. California Symphony’s James Moore tells us more about this enigmatically-named cousin of the oboe.
December 21, 2021
Ralph Vaughan Williams (1872–1958) The Lark Ascending (1914/1921) Nostalgic longing permeates The Lark Ascending. Not a cozy nostalgia that looks back to a rose-tinted past, but rather a spiritual fervor for an idyllic paradise, expressed as the song of a soaring skylark and, on the earth below, human life—a poignant metaphor for our collective yearning