August 20, 2019
Gabriela Lena Franks’ The Keeper and the Dove song cycle uses text by Pulitzer Prize-winning Cuban-American playwright Nilo Cruz to explore the complex relationship between Mexican artists Diego Rivera and Frida Kahlo. The “Keeper” allows Kahlo’s spirit form to return to her beloved husband for one last visit during the Dia de los Muertos (Day
April 14, 2019
Q: What instrument is named after a tuba, looks like a French horn, and sounds like a trombone? No, that’s not the beginning of a super nerdy orchestra joke but it’s a pretty good description of the hybrid horn that is the Wagner tuba. A quartet of the rare instruments features in Bruckner’s Symphony No.
October 17, 2019
By California Symphony Music Director Donato Cabrera. In programming this concert with the California Symphony, there were a few ‘a-ha moments’ that I hoped to share with everyone, on stage and off. Because conductors and unadventurous and nervous marketing departments of most symphony orchestras have sadly codified the repertoire, you, the audience, rarely get to hear all of
October 26, 2019
Composer Kevin Puts’ association with California Symphony dates back to 1996, when he became the orchestra’s third ever Young American Composer-in-Residence. It was an experience he has called “life-changing,” and it launched a career that has so far yielded the prestigious Rome Prize (2002) and a Pulitzer Prize win for his debut opera Silent Night (2012), as well
August 15, 2019
By California Symphony Music Director Donato Cabrera. As we approach the 250th anniversary of Beethoven’s birth in 2020, I thought we could get a head start by programming his most popular symphony, and perhaps the most recognizable piece of Western Classical Music, his Symphony №5, with one of his lesser known works, The Creatures
October 17, 2019
Wolfgang Amadeus Mozart – Symphony No. 1 in E-flat Major, K. 16 (1764) A child prodigy of staggering talent, itty-bitty Wolfgang Mozart was trundled about Western Europe from ages 7 through 10 by his doting—and exploitative—father. The family arrived in London in April 1764, where eight-year-old Wolfgang formed a close bond with Johann Christian Bach,
August 15, 2019
Ludwig van Beethoven – Overture to The Creatures of Prometheus (1801) We tend not to think of Beethoven as a theatrical composer. We think symphonies, we think sonatas, we think string quartets and piano trios and concertos. After all, he wrote only one opera (Fidelio) plus a smattering of incidental music. And there’s a
April 3, 2019
Katherine Balch – Artifacts, Concerto for Violin and Orchestra (world premiere) One particularly pleasant corner of the repertory is occupied by works that composers have written for good friends, often with that friend’s input and contributions. The Brahms Violin Concerto comes first to mind: Brahms wrote it for Joseph Joachim, one of Brahms’s earliest boosters
April 2, 2019
Music Director Donato Cabrera conducts Bruckner’s Symphony No. 7 at the California Symphony’s season finale—a piece he feels he’s been “waiting more than one lifetime” to conduct. We talked with Maestro about Bruckner, what he finds so appealing about the Seventh Symphony, and how his perspective has been shaped by playing the French horn. 1. Your first instrument
October 6, 2019
Silicon Valley tech whizz by day and California Symphony’s Julliard-trained virtuoso on weekends, clarinetist Stephen Zielinski answers our burning questions about his life and music career—including how he and Maestro Donato Cabrera share a connection that dates back almost two decades. 1. Can you tell us a little about your life in music? I’ve always